They reached for works from the most famous Bach collections and performed their creative reinterpretation using transcriptions of these pieces and the possibilities of the trumpet and the unique instrument from Wolow. The musicians undertook to examine and synthesise differentia specifica of the creative individuality of Johann Sebastian Bach, seen from the perspective of instrumentalists aware of the baggage of experience and the multifaceted inspiration of the cantor of Leipzig. Hence it is perfect for the role that Professors Igor Cecocho and Piotr Rojek, associated with the Wroclaw Academy of Music, have assigned to it. The instrument still meets the requirements of very orthodox Baroque literature, including the works by Johann Sebastian Bach. The contemporary disposition, slightly modified in the 19th century, does not differ much from the Casparini concept. A rare chance to hear two of the greatest works for solo violin played on the viola, coupled with a. The organ of the church of St Lawrence in Wolow (1715-1717) comes from a workshop of one of the greatest Silesian constructors, Adam Horatio Casparini. Bach: Transcriptions for Unaccompanied Viola. Throughout the program, the Seattle Symphony sounds like it is simply having a good time – essential in this kind of music – and Schwarz directs commandingly.Trumpeter Igor Cecocho and organist Piotr Rojek perform works by J S Bach transcribed for their instruments. There's absolutely no question that Elgar understands this music at the most basic level, and if his aim was to point out the sheer beauty of Bach, we must count this as a success. Demonstrating the range and popularity of Bach piano transcriptions during the early twentieth century, this collection contains exuberant fantasias and. You'll either love it to death or condemn it to the depths of Hades. The string textures are befitting an English string serenade heart on sleeve, creamy sounds that make Bach sound…like Elgar. But his Fantasia and Fugue transcription is as loving a tribute as you could possibly hope for. Respighi goes a little farther, especially in the Passacaglia and Fugue, which is wild and a ton of fun.Īs previously mentioned, Elgar takes a lot of heat for being too English sounding, and he's really not my cup of tea most days. Stokowski was an organist, and basically just gave wind and string parts to the string and wind stops on the instrument. Respighi certainly sounds different than Stokowski, but is probably no less offensive to Bach purists. However, if you hate Bach transcriptions, be forewarned that this disc will not change your mind. These pieces were originally organ works, for the most part, and even if you hate Bach or the organ, it's hard to deny the genius at hand. The genius of Bach speaks for itself, and nobody has to question if these works are any good. Besides, they now operate under the same umbrella, and even the orchestra's independent efforts are Naxos-distributed. The suites, sonatas, and partitas that Johann Sebastian Bach composed. And the best thing about this orchestra is that you never once have to pick up the box and go "Is this a reissue?" The ensemble was great then, and is great now, with both Delos and Naxos providing fine sound. Keyboard Transcriptions of Bachs Music for Unaccompanied String and Wind Instruments. And then came this, which fits neither category even today. During this time period, he and the orchestra were either recording every scrap of Americana, or works that everyone else did arguably better. Schwarz is a typical conductor in that not everything he does goes platinum, but he does tend to surprise collectors every now and then with something really good. They don't have the signature sound that Chicago or Boston has (had, sometimes has?) but they play well in nearly everything. The Seattle Symphony worked for 26 years under Gerard Schwarz, and they have always impressed me for being remarkably consistent as a group. As for Elgar, he's usually seen as a stodgy old Edwardian, but he's really not for the most part, and his own work as tribute to Bach also proves to be excellent. Respighi was a great colorist, and the vibrancy and flair of his tone poems is here as well. Here it is again, over 20 years later, and it still sounds great. Naxos had had some very good luck with Bach transcriptions over the years, but this was originally a Delos release that must have simply gotten overlooked.
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